défense des intérêts d"un groupe - traducción al Inglés
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défense des intérêts d"un groupe - traducción al Inglés

GROUP OF TWENTY BELGIAN PAINTERS, DESIGNERS AND SCULPTORS, FORMED IN 1883
Les Vingt; Groupe des Vingt; Groupe des XX
  • Poster of the 1889 Les XX exhibition
  • Portraits of or work by the 11 original founders of ''Les XX''. Upper register, left to right: Darío de Regoyos y Valdés, Guillaume van Strydonck, Théo van Rysselberghe, Fernand Khnopff and Magnus Enckell. Bottom, left to right: ''La donna morta'' by Willy Schlobach, Rodolphe Wytsman, The [[Borse van Amsterdam]] in [[Aalst, Belgium]] restored by Jules Goethals, a medal made by Paul Du Bois, and a painting by Frantz Charlet. Right, larger image: James Ensor
  • ''La Manneporte à Étretat'', [[Claude Monet]] (1886)

défense des intérêts d'un groupe      
n. sectionalism

Definición

Twinkie defense
n. a claim by a criminal defendant that at the time of the crime he/she was of diminished mental capacity due to intake of too much sugar, as from eating "Twinkies," sugar-rich snacks. The defense was argued successfully by a defense psychiatrist in the notorious case of former San Francisco County Supervisor Dan White, who shot and killed San Francisco Mayor George Moscone and County Supervisor Harvey Milk, resulting in White's conviction for only manslaughter instead of murder. See also: diminished capacity

Wikipedia

Les XX

Les XX (French; "Les Vingt"; French pronunciation: ​[le vɛ̃]; lit.'The 20') was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891 retrospective).

Les XX was in some ways a successor to another group, L'Essor. The rejection of Ensor's The Oyster Eater in 1883 by L'Essor Salon, following the earlier rejection by the Antwerp Salon, was one of the events that led to the formation of Les XX.

In 1893, the society of Les XX was transformed into "La Libre Esthétique".